Heavy Metal: An Unlikely Gathering of Objects

Independent Project
Exhibition
In-person
Jan 22
–
Feb 28 2027
Free
Jan 23, 2027
4:00pm – 7:00pm
RSVP
Please email the organizer to reserve your tickets:
Open Mail or Copy Email
Jan 22Fri 12:00pm – 7:00pm
Jan 23Sat 12:00pm – 7:00pm
Jan 24Sun Closed
Jan 25Mon 12:00pm – 7:00pm
Jan 26Tue 12:00pm – 7:00pm
Jan 27Wed 12:00pm – 7:00pm
Jan 28Thu 12:00pm – 7:00pm
Jan 29Fri 12:00pm – 7:00pm
Jan 30Sat 12:00pm – 7:00pm
Jan 31Sun Closed
WDLT117 7 St. Thomas Street, Unit 101, Toronto.
adorigine.com/

Bent, folded, inflated, polished, cast, hammered. Metal is having a visible moment in contemporary design. A new generation is working with it in ways that feel distinctly of the present: making a material associated with weight appear almost weightless, pushing it into unexpected forms, and allowing seams, welds and imperfections to become part of the object itself. In an increasingly digital world, metal brings us back to matter, process and the hand.

Placed alongside them are objects from earlier generations, when metal often carried another kind of promise. For much of modern design, it was a material of the industrial future—precision, efficiency, new technologies and new ways of living. The same material that once helped designers imagine the world ahead is now being used, in part, to reconnect us with the physical world around us.

The objects gathered here are separated by decades and geography, but what connects them is not provenance, period or status. Some are authored and documented; others were found in markets, their makers unknown. What matters is the possibility someone saw in the material.

Across furniture, lighting and objects, ‘Heavy Metal’ moves between the functional and the sculptural, the emerging and the established, the anonymous and the collectible.

Different decades, different intentions, same raw material.

‘Heavy Metal’ is an exhibition presented by Ad Origine, curated by Gonzalo Cárdenas and hosted by WDLT117.

Participants

Ad Origine (Gonzalo Cárdenas), ALESSI, AOT Studio, Böwing Design, Finemateria FOR QuadroDesign, Hayan Kim, Inès Sviezeny, Leftover Design, Lennart Lauren, Martinelli Venezia for De Castelli, Mati Sipiora, Momentum Studio, NM3, Paul Coenen, Pied Carré, Pietro Franceschini Studio, RIKFRANSJANSEN, Studio Formablu, TRAGA, TRANSPARENT, Zieta Studio, ZOWA

Acknowledgements

WDLT117 logo

Accessibility

Who should visitors contact with questions regarding accessibility?
Gonzalo Cárdenas
Can people get to the venue using accessible transit?
Yes
TAC LS Chair by Dutch designer Zowa Rindt, photographed from a three-quarter rear angle. The chair features a flat, square aluminium seat with rounded corners, four cylindrical legs and a narrow horizontal backrest supported by two taller cylindrical columns. Its brushed metal finish contrasts with the dark concrete floor and background.
"TAC LS Chair" by ZOWA, Netherlands. Image courtesy of Zowa Rindt.
Poodle Chair by Polish designer Mati Sipiora, featuring a sculptural frame of polished stainless steel cylinders connected by slender metal rods, with a rounded, light brown leather seat. The chair is photographed against a plain white wall on a grey concrete floor.
"Poodle Chair" by Mati Sipiora, Poland. Image courtesy of Mati Sipiora.
Sculptural candle holder by AOT Studio, made from silver-toned metal tubing bent into angular, geometric forms. Two white taper candles rise from the structure, while a hand holding a lighter reaches in from the left. Displayed on a white pedestal against a light grey background.
"Bucati Candle Holder" by AOT Studio, Denmark. Image courtesy of AOT Studio.
A sculptural aluminum side table by Momentum Studio, featuring rounded rectangular panels with large circular cutouts, a round tabletop and a lower shelf. A small illuminated cube lamp sits on top, while a black ceramic vessel rests on a magazine on the shelf. Photographed against a neutral grey background.
"06 Side Table" by Momentum Studio, Germany. Image courtesy of Momentum Studio.
Gold Arch Stool by Italian designer Pietro Franceschini, featuring a sculptural geometric form with three vertical panels and softly rounded arches in a brushed gold finish. The stool sits on a pale stone floor against a minimalist white wall, with a dark, shaggy rug partially visible in the foreground.
"Gold Arch Stool" by Pietro Franceschini, Italy. Image courtesy of Pietro Franceschini Studio.
Sculptural Brutalist speaker by Transparent in Metal finish, featuring an angular geometric body, two exposed black speaker drivers, a projecting cylindrical element, and a rectangular control panel with metal switches. Displayed on a white pedestal against a neutral grey background.
"Brutalist Speaker" by Transparent, Sweden. Image courtesy of Gonzalo Cárdenas.