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Come Up To My Room


Thu, Jan 21, 2016 — Sun, Jan 24, 2016




$10 general admission (per day)
$25 for school groups, book tours with [email protected]
$5 student day on Fri, Jan 22, 2016 (with proof of student ID)


Press Preview | Thu, Jan 21, 2016 | 4-6pm
TO DO Talks | Thu, Jan 21, 2016 | 6:30-8:30pm
Opening Reception | Sat, Jan 23, 2016 | 7-10pm
Love Design Party | Sat, Jan 23, 2016 | 10pm-late
Family Programming | Sun, Jan 24, 2016 | 10-5pm

Daily Hours










Come Up to My Room (CUTMR) was conceived in 2004 by Christina Zeidler and Pamila Matharu as a vehicle for experimentation and interaction within the fields of art and design. Acting as counterpoint to the Interior Design Show (IDS) and giving rise to the more recent Toronto Design Offsite Festival (TO DO), CUTMR has since become a cornerstone of the Toronto alternative design scene. Over the years, CUTMR has featured the work of hundreds of artists and designers from Canada and abroad, and continuously challenged participants to push their everyday practice by offering a blank canvas upon which to explore new themes and ways of working.

Thirteen … an unlucky number for some, but not for CUTMR. This year’s event, the thirteenth edition, once again showcases the work of new and established artists, designers and collectives from Canada and the US. CUTMR encourages spatial exploration that engages our senses, our memories and our perceptions of reality. Framed within the backdrop of the historic Gladstone Hotel, CUTMR invites participants to inhabit three floors with site-specific, immersive installations that stimulate the imagination and encourage discussion and dialogue between contributors and visitors alike.

Coming from the fields of architecture and exhibition design, this year’s curators, Jana Macalik and Nuria Montblanch have reengaged with the heritage of CUTMR, focusing on the spatial sensory experiences and design as the medium. The designers have been encouraged to identifying discursive opportunities, altering perceptions of space and place. The inclusion of designers’ own identities within the experience of the exhibition affects narratives and is reflected in their use of interactive and tactile media. Thus, a space of discourse is created where multiple dialogues can begin to take place – between the hotel, the spaces and the people within.



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