Vishwa Patel

Artist Vishwa Patel talks about the importance of embracing one’s cultural identity.

How would you describe your profession and your practice?

I am a Toronto-based artist and curator who fuses the intricate traditions of Indian painting, Indian textiles, and European painting styles with themes like diaspora and cultural identity. My work tells stories of lands and traditions from afar and I aim to connect communities through cultural similarities and dialogue. Currently, my research practice is connecting sacred geometry with architecture, textiles, dance, and femininity in India.

Has your work changed over the course of your career?

Initially, my work focused on themes of the environment, as I was hesitant to explore cultural topics, feeling they might not resonate in a Western context. However, meeting many inspiring artists in Toronto over the course of three years encouraged me to embrace my cultural identity and dive into the rich research of my Indian heritage. While I still occasionally create environmental pieces, my primary focus has shifted to celebrating and exploring the stories and traditions of my roots.

What was your “eureka!” moment that made you realize that art/design was the route you wanted to take?

I’m currently pursuing a BFA in Drawing and Painting at OCAD University, but art wasn’t always the plan – I originally applied for natural science programs. It was my community’s encouragement and recognizing art as my lifelong hobby that gave me the confidence to pursue it as a career. Although I struggled with imposter syndrome during university, the positive feedback from the South Asian community affirmed my passion and solidified my commitment to making art my life’s work.

Is your work inspired by anything in particular? What turns you on creatively?

My work is inspired by Indian art history, especially the intricate sculptures and carvings found in temples and stepwells, as well as the delicate beauty of manuscript miniature painting. I’m also fascinated by the visual culture of embroidery. Currently, my research practice explores the connection between sacred geometry and elements like architecture, textiles, dance, and femininity in India, weaving these diverse influences into my creative process.

Which designers or artists inspire you and why?

I’m inspired by local Toronto artist Rajni Perera, particularly how she draws from her heritage to create large-scale, contemporary sci-fi works. Her ability to work on such a grand scale encourages me, especially since I tend to work smaller. I’m also inspired by miniature painting masters from India, whose immense patience and attention to detail in such tiny works fascinate me. I find myself straddling both large and small scales, blending these influences in my own practice.

What is the name of the DesignTO Project you’re exhibiting in and what is the name of the piece you are sharing?

I’m exhibiting work in the DesignTO Youth exhibition ‘Story Story.’ My piece is called ‘Low Tide.’

What can attendees expect to experience when seeing your work?

When attendees experience the photographic quadriptych of ‘Low Tide’, they will see some of the stark effects of low tide and climate change on coastal fishing communities in India. Viewers will see stranded boats, abandoned vessels, and marine life exposed by the low tide. The images highlight the environmental struggles these communities face, along with the challenges tied to their reliance on the sea for survival. This work brings attention to an often-overlooked issue, urging empathy and awareness about the urgent realities facing these communities that are overlooked worldwide.

Lastly, what random fact about yourself would you like to share with the DesignTO community?

I can solve a Rubik’s cube in 20 seconds!


Story Story’ is just one of over 100 free window installations, exhibitions and events at the 2025 DesignTO Festival, January 24 – February 2, 2025. Visit the Festival Schedule to learn about these projects and more.