patterns of belonging
Nov 14 2024
Feb 02 2025
exhibition in-person
See Details
Free
1 Atkinson Street, Richmond Hill
Jan 24Fri 9:30am 6:00pm
Jan 25Sat 10:00am 5:00pm
Jan 26Sun 12:00pm 6:00pm
Jan 27Mon 9:30am 9:00pm
Jan 28Tue 9:30am 9:00pm
Jan 29Wed 9:30am 9:00pm
Jan 30Thu 9:30am 9:00pm
Jan 31Fri 9:30am 6:00pm
Feb 01Sat 10:00am 6:00pm
Feb 02Sun 12:00pm 5:00pm

The collection, ‘patterns of belonging’, presents works inspired by close observation of ever-changing patterns in the sand along the shoreline of Lake Ontario and imagines the hidden rivers running through the city and through living beings.

These delicate hand-cut paper pieces, like patterns seen in all of life, call to mind water bubbles, salt stains on the pavement and microscopic images of body tissue.

Translucent papers painted with inks and cut in lacy layered forms offer a gentle and visceral sense experience. Their expression reflects on permeability and impermeability, volume and transparency, fragility and resilience, presence and absence.

Love’s work reminds us that human consciousness and physicality are intimately connected with the natural world and cycles.

Tania Love is a Toronto-based visual artist whose work evolves from a relationship with the natural and cultural habitat. Her process-centred use of diverse natural materials places emphasis on tactility and invites slower rhythms. She is the recipient of numerous grants and residencies and has exhibited both within Canada and internationally.

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‘patterns of belonging’ is open to the public and can be viewed within the Glass Gallery at the Richmond Hill Central Library.

Thank you to The Richmond Hill Public Library for supporting access to culture!

Participants

Tania Love

Acknowledgements

Accessibility

Who should visitors contact with questions regarding accessibility?
Anete Ivsina
Is this venue accessible by wheelchair or similar mobility devices? This includes access to washrooms and all aspects of programming/events.
Yes
Are designated parking spots for persons with disabilities close to the entrance of the building?
Yes
sumi ink on japanese kozo paper in lacy, hand cut forms
cell structures, sumi ink on kozo paper, hand cut
sumi ink on japanese kozo paper in lacy, hand cut forms
cell structures, sumi ink on kozo paper, hand cut
blue curving and intersecting lines on white translucent paper
pathways, cyanotype pigment on paper, hand cut